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CVJ-CS8 One-sided lap of the tri-rail configuration immersive detail
Classical Female Special Sounds
Profesional 8 unit hybrid drivers earphone
Comfortable in ear oice Isolation / 3D sounds function
Simple and Luxury
The whole body faceplate adopt CNC + Metal wire drawing process + Highlight technology’s bottom shell is made of environmental skin-friendly material + UV technologyIt is not easy to be broken , strong and durability
Medium frequency and high frequency balanced armaturecombination Make the voice clearer and sweeter
50060 medium frequency balanced armature+30095 high frequency balaced armature combination greatly and high frequency extension Rich sound effecys immerse yourself in it
10mm Double magnetic circuit moving coil Fuller and more elastic at low frequency Compared with in the market . Double magnetic circit is more powerful The advantages of the two are complementa and professional acoustic crossover technology makes the sound more extensive
Interface: 3.5mm plug
Pin Type: 0.75mm 2PIN
Frequency Range: 7Hz-40kHz
Detachable Cable: Yes
Whether with Mic: Optional
Product Weight: 0.03 kg
Cable Length: 3.9 foot
1x Pair of CVJ CS8 Earphones
3x Pairs of Silicone eartips
1x Instructions manual
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Was that batch of frit 3195 really bad?
After a customer experienced blistering with a transparent glaze on a terra cotta body, suspicion was raised that the batch of frit of bad. Ferro even admitted there was an issue. But we decided to test, sampling about 20 of the 50 lb bags and combining that to make these tests. Upper left is a GLFL test, if compares the melt flow of an old batch of frit 3195 with the questioned one, fired at 1750F. Although the questioned batch does run a little more, a more important difference is in the bubble development (look closer), perhaps there is some fluorine contamination. A GBMF test compares the two samples on the bottom left (10 gram balls melt downward onto a sample tile). Again, the questioned batch is melting and bubbling a little more. We made two glazes: Cone 6 GA6-B (top right) contains 20% of the frit (the left one uses an old frit batch). The EMTOE 2 Pcs Cast Iron Heavy Duty Floating Shelf Brackets, 90 Deg 05 G1916QL1 glaze (bottom right, it contains 60% of the frit) uses the questioned frit and works well on both the white and red bodies. So, although it might not be working for some, we determined that the frit is OK! Although it is possible that only certain bags of the batch were bad, that seems unlikely given the way frits are made, all bags in a batch should be the same.
Thursday 18th November 2021
A cone 10R iron crystal glaze using only Ravenscrag Slip and Iron
Ravenscrag Slip, by itself, produces a silky transparent glaze at On Stage Round Base Mic Stand with Shaft Pole + On Stage Mic Ext 10R. It is an excellent base to which to add colorants and modifiers. This is a simple addition of 10% iron oxide (Ravenscrag Slip already contains 2% iron, making about 12% total Fe2O3). It produces a stunning crystalline fired surface on these two porcelains. We can call this a "Beyond-Tenmoku" (crystals happen because of more iron or a slow cooling rate than a Tenmoku). The 12% iron dissolves in the glaze melt during firing, but during cooling in the kiln, the extra 2% precipitates out to produce these surfaces. The iron also acts as a flux in reduction firing, greatly increasing melt fluidity. Take that last statement seriously: The iron is a flux, the glaze will melt much more. So just adding iron oxide to a glossy transparent will wreck your kiln shelves when it runs down off the ware. Ravenscrag Slip does not melt-to-glossy, it has just enough feldspar to fire to a durable surface, making it a more stable host for the iron addition.
Context: GR10-L, WEATHER PACK 1 PIN CONNECTOR 12-16 AWG Wire Water Tight quick co, FeO (iron oxide) is a very powerful flux, Same high-iron glaze. One crystallizes and the other does not. Why?, Ravenscrag web site
Thursday 18th November 2021
A step to prevent cracking clay mug handles
Drying cracks are opportunistic. They will initiate inside sharp acute angles. The sharper the angle the greater the chance of crack. By doing this procedure after trimming you will deny a crack a place to start. Of course even drying is still important, the water content of a handle should now be allowed to get ahead of that of the main body of the mug at any time. In the pictures on the right, two tools are being used to compress and round the angle at which the handle meets the wall of the mug.
Monday 15th November 2021
Why do some clays split like this on throwing or forming?
An example of splitting, where a thrown clay develops a split minutes after throwing. This often happens at stretch-points with sandy or groggy Mac in a Sac Polar Women's Packable Reversible Down Jacket or those that have a wide range of particle sizes (e.g. native clays not ground to Kettop Firewall Desktop Mi3317 Intel Core I5 Processor Up to 2.6). The larger particles create networks into which water can penetrate and begin and propagate a split. It is thus wise not to leave water or high-water-content slip on any surfaces experiencing tensile stress during forming.
Context: Splitting at the Plastic Stage
Monday 15th November 2021
Wedging manganese speckle into a cone 6 buff stoneware
This is actually quite easy to do: Just wedge the clay over the manganese spread out on the board, when the board is clean turn the slug sideways and cut and layer about 20 times (to get 1 million layers). Then wedge normally. Only 0.2% manganese is needed (as a percentage of the dry clay). Since pugged clay contains 20% water it is easy to calculate the dry weight of this piece. For example, suppose this weighs 2 kg: 80% of that is 1.6 kg or 1600g. 0.2% of 1600 is 3.2 grams. Shown is the kind of mug I get. The outside glaze is G2934Y silky matte (opacified with tin) and inside glaze is G2926BW glossy white. It was fired at cone 6 using the PLC6DS schedule.
Thursday 11th November 2021
Step-by-step how to test and evaluate a new native clay
"It Starts With a Lump of Clay", a step-by-step Insight-Live.com tutorial (from its help system and the link below) on how to document every step (in an account at at insight-live.com) of analyzing a raw sample of clay. You will learn things about drying shrinkage, drying performance, EWQHD Kids Rooms Elephant Lion Monkey Birds Jungle Animals Heigh, plasticity, firing shrinkage, fired porosity, fired color, soluble salt content, fired strength, etc. We will not just observe these properties, but measure them. In doing so we will characterize the material. We will answer simple questions about how the material forms, dries and fires across a range of temperatures. In doing the testing I will be generating a lot of data. No single factor is more intimidating to new technicians than what do to with this data, how to store it, where to store it, how it can be searched, learned from, compared. This tutorial will erase that question.
Wednesday 10th November 2021
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How to make a zero-fired-shrinkage clay
This is Plainsman BGP, a terra cotta, mixed with 30% dolomite. Note the "DSHR" column in the SHAB test data (third last column): The drying shrinkage still averages over 7% even with the 30% dolomite, so BGP is very plastic. Notice the "FSHR" (fired shrinkage) column, it is negative for the first five test bars fired at Real Leather Big Dog Leash, for Pet Walking Training Lead Sewing 05-01, that means the bars grew in size! But notice the shrinkage hits 0% at cone 1 (bar #6). By cone 2 the trend has reversed to 0.3% shrinkage. The #6 bar is appears to be vitrifying, the color is darkening and it is strong. But notice the last "ABS" column (water absorption), it is 18.7%! This body was intended as a high-porosity ceramic at the lower ranges (it has 25% porosity at cone 05), but the dolomite is also slowing the densification as it goes through the Keep it Craft Drink Local Cedar Rapids Beer Lover Iowa Booze Pre process. Without the dolomite the top bar would be melting! By cone 1 its firing shrinkage would be 7% and the porosity would be zero. Is this technique practical? Yup! The entire monoporosa wall tile industry is based on it!
Wednesday 10th November 2021
One reason why stoneware clays are more convenient
Fewer drying cracks! These were all made at the same time and dried in the same way. Left: Three out of five porcelain mugs have cracked on the bottoms! Right: None of the stoneware ones have. Sometimes I feel as if those are "crying cracks" instead of "drying cracks". Of course, I could have been more careful with the porcelain. But I keep forgetting items on the "drying success checklist"! So, for production, it makes sense to use a stoneware if at all possible. I can make hundreds of mugs using the body on right, M340, and will not lose a single one!
Wednesday 10th November 2021
Inadequate air-flow during clearing at the end of a reduction firing
The clearing period at the end of the reduction firing was done without opening the damper, the gas pressure was simply turned down enough to stop temperature rise. The flame through the damper and the peep holes completely disappeared and this cleared the chamber of carbon immediately. Only one quarter the normal gas pressure was needed to hold temperature. But there was a problem: Inadequate airflow through the chamber to clear carbon build-up in the clays. The issue was most visible on the insides of pieces like this. And it was made worse by another factor: Body carbon trapping of an ultra-transparent early-melting fritted clear glaze that we have been testing.
Context: Reduction Firing
Wednesday 10th November 2021
An original container bag of ceramic rutile
This bag is very small, this material is very dense and heavy. The primary use of this material is obvious: For making welding rods. However notice the bag bottom is marked "Ceramic Rutile" (with a batch number). Why would a product intended for making welding rods be used in ceramics? The answer is very interesting.
Context: Ceramic Rutile
Wednesday 10th November 2021
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